Ceremony to last song.
One team across the whole day, so the music never stops between the parts and nobody in the wedding party has to run it.
A wedding is four events wearing one dress. The aisle, the drinks, the dinner and the party each want something different from the room, and most couples end up buying them from four different people. We cover all four, which is why the handovers stop being anyone's job.
We also cover corporate events and private parties.
The day, hour by hour.
Each of the four wants something different from the room, and each is a different problem to solve. The same crew solves all of them, on the same system, so nothing has to be re-explained between one and the next.
The ceremony
It starts quietly, and it still has to be right.
Strings, acoustic guitar or a vocalist as the aisle fills. Wireless microphones set and managed so the vows and the readings carry to the back row - including the reading nobody rehearsed.
Golden hour
The hour people describe afterwards.
Saxophone, percussion and roaming performers moving through the drinks reception while the light goes gold. Loud enough to lift the room, quiet enough that nobody has to shout over it.
Dinner and speeches
Music that sits under the conversation.
Live vocals and a considered soundtrack across the tables, with the volume judged so people can still talk. Speeches run through the same system, so there is no scramble for a microphone between courses.
The night
And then the floor fills.
The first dance, and then DJs who read a room rather than run a playlist, with live performers over the top when the night wants lifting. Open format, and confident enough to change direction when the floor asks.
What that actually means on the day
One team, not four bookings
The ceremony musicians, the reception performers, the DJ and the production crew are all ours. One contact, one brief and one invoice, and a team who have run the handovers together before rather than meeting each other in your venue.
Specified to your venue, not off a shelf
A beach, a villa terrace and a ballroom are three completely different acoustic problems. The kit list is built against the venue's real limits - power, load-in access, noise limiter and curfew - before anything is quoted.
You plan the music once
After booking we send a planning form: must-plays, do-not-plays, the first dance, parent dances and the general direction for the night. The DJ reads the room on the night inside that, rather than working off a list nobody can deviate from.
Nothing has a single point of failure
Backup equipment travels to every wedding and crew stay on site from load-in until the last case is packed. Nobody in the wedding party should ever be the person who discovers a problem.
If you are the planner
You get one point of contact, a spec that drops straight into a run sheet, and a team that arrives when it said it would. Most of our weddings come through planners, and the reason is usually that the last supplier did not.
Check the date.
Quoted per wedding. The mix of hours, equipment and performers moves it too much for a price list to mean anything.